I am a multidisciplinary researcher, writer, and public engagement specialist based in New Mexico. My work ranges from producing large-scale public events to facilitating panel conversations to project management to writing for arts-based publications.
My career has spanned ten years in the nonprofit arts and culture sector, beginning in Brooklyn, NY where I worked as Media Lab Manager and Head of Public Programs at Pioneer Works. While in New York, I worked with artists across a range of practices helping them to develop projects, installations, and workshops geared toward community access and interaction — working most closely with creative technologists and artists specializing in emergent media and interactive technology. In 2020, I relocated back to my hometown of Albuquerque, NM to continue this work at the New Mexico Humanities Council as Senior Program Officer, where I managed public programs for their Digital Humanities Initiative, dedicated to bridging the gap between humanities scholarship and innovations in digital technology and emergent media.
My research and writing focuses on place-based cultural practices; performance and time-based media; somatic inquiry and considerations of the body in context. As a lifelong dancer turned movement researcher, my diverse career projects are all linked by a principal investigation of the body and its relationship to individual consciousness, life cycles, community, the natural and built environments, data, and technological progress.
My skills range from event production for audiences between 5 to 2,000 people, project management, grant oversight, and donor and funder relations. I have bylines in publications including Hyperallergic, Southwest Contemporary and Pasatiempo.
Selected Work
Images: Courtesy Northrop Grumman T4C
Digital HumanitiesNew Mexico Humanities Council × Northrop Grumman · 2023–2025
Cultural SITEs is a digital humanities initiative that leverages cutting-edge technologies to build interactive experiences for New Mexico's historic sites and aid in the cultural preservation of the state's great monuments. In partnership with Northrop Grumman's Technology for Conservation, a team of engineers used photogrammetry, LiDAR, ground penetrating radar, and 360-degree imaging to document five historic sites around New Mexico — Fort Selden, Sevilleta Pueblo, Lincoln Historic Site, Mimbres Cultural Heritage Site, and Salmon Ruins — creating digital models for immersive historic reconstructions, virtual field trips, and further research.
As Project Director, I liaised between the Northrop Grumman engineering team and the directors and managers of each historic site, managed logistics for all site visits, and served as public representative for the initiative — presenting at conferences and lecturing at the University of New Mexico's School of Architecture and Planning.
Images: Courtesy New Mexico Humanities Council
Public ProgramsNew Mexico Humanities Council · 2020–2025
Starting Conversations began as a casual virtual salon series where members of the public gathered over Zoom to discuss a myriad of topics in the arts and humanities during the Covid-19 pandemic. After a year of hosting these intimate conversations, the series evolved into a produced video series continuing to cover diverse topics related to New Mexico's history and contemporary culture.
The series also hosted special live events, including a screening of the documentary Truth or Consequences with a post-film discussion with the filmmakers, and a Chautauqua-style roundtable on environmental conservation in New Mexico and the United States.
Image: Courtesy Pioneer Works
Community ProgrammingPioneer Works · Brooklyn, New York · 2017–2020
Second Sundays is Pioneer Works' monthly open house, inviting the public to visit artists-in-residence during open studio hours, participate in hands-on workshops, browse all three galleries, eat from local food vendors, and hear live music in the stage venue.
As producer, I coordinated with all program staff to schedule a rotating slate of activities and workshops month-to-month, worked with the in-house design team on printed matter for visitors, and organized outside vendors for additional on-site entertainment and programming.
Image: Courtesy Pioneer Works
Site-Specific FestivalPioneer Works × Green-Wood Cemetery · Brooklyn, New York · 2019
Graveyard Shift was a site-specific performing arts festival developed in partnership with the historic Green-Wood Cemetery in Brooklyn. The festival honored Green-Wood's legacy and monuments, offered performance-based artists a space to explore concepts and themes related to death and dying, and invited the community to immerse themselves in the stunning natural beauty of the grounds. The inaugural edition drew approximately 3,000 attendees across two nights.
More Work
Practice
My first literacy was in movement. I started dancing as a toddler and trained in classical ballet on a pre-professional track through my adolescence before choosing an interdisciplinary academic path. I studied Dance as an undergraduate alongside Art History and Philosophy, which informed my graduate research in Performance Studies at the Tisch School of the Arts. There I developed a theoretical framework for thinking about the body in an aesthetic context, namely, performance and time-based media.
My Master's thesis explored the concept of "live" performance and asked what does performance become after its initial debut. I researched methods of documenting Performance Art including photographs, videos and reenactments and questioned how those forms of documentation are collected and curated within an institutional context. My project made a metaphor between the real, organic body and any work of performance. If a performance is live at one moment and then not-live at the next, then it has a life cycle, just as a real body does. It was from here where my academic and professional research ventured into thanatology and cultural attitudes toward death and dying and end-of-life literacy.
My interest in New Media and interactive technology grew naturally from thinking about how the body responds to its environment, especially digital environments. I was managing the Pioneer Works Tech Lab at a time when virtual reality, augmented reality and extended reality were all making significant strides in the emergent media arts sphere. The notion of the body in a digital space caused me to reframe my questions about life cycles and documentation; it also inspired new inquiries around the connection between the user experience within digital spaces and their material body.
After years of grounding my research in abstract and theoretical contexts, I returned to movement practice in many forms. Today, I explore solo improvisation and choreography, partnered social dance, place-based dance composition and Contact Improvisation, which is a practice rooted in physical dialogue and understanding shared weight and gravity. I also took my investigation of the body deeper into anatomical and biomechanical contexts and completed a 250-hour Pilates certification.
My somatic foundation in childhood is the platform from which everything in my creative and professional work springs. Even my work in historic preservation is, at its core, a study of what bodies leave behind and how civilizations ensure a record of their presence in time at scale.
Press & Writing
Selected bylines in arts and culture publications, 2022–2024.
Curriculum Vitae
Get in touch
An endless pursuit of discoveries — and always open to new conversations.